It was not a small regional project.
They scoured Europe for the very best architects, designers, sculptors, painters, carvers-in-wood, gilders and so on, and set them to work. They started in about 1221 and seem to have had the greater part done by about 1450 - maybe 1500. This was while we (in England) were still marvelling at the concept of making houses out of brick.
The staircase incorporates designs by Michelangelo and was the model for the stairs in the Paris Opera 400 years later. |
Door to the cloister - added in 15th/16th century to a 13th century arch |
They are display cases for vanity and power. They use the attractive idea of glorifying god as a channel to divert people's attention away from what is really going on. It is where the pious and impious rich can arrange to have their bodies interred (viz every parish church in England).
Not one but two towers surmounted by vaulted glazed ceilings |
Chapels made for queens, kings, bishops, their families, and friends... all with glorious ceilings and all very early |
So, it was a strolling ground for princesses and courtiers. It was a place where lords and kings plotted which aristocratic or royal female child would be sold off to which aggrandising aristo. It was where god slotted in nicely thank you, to keep it all going.
Just look at it.
As a matter of interest, the medieval lord known as El Cid is buried here, somewhere.
There are dozens and dozens of wonderful paintings now displayed in the Museum, where hoi polloi like me can wander round and look. The commentary on the headphones is not bad but enunciated in a ghastly pious sing-song voice by two presenters (m and f) who alternate. This undoubtedly pleased the patrons (clergy) who commissioned it all but left me feeling very squeamish. There are many beautiful madonna-with-child images, and I also liked the arrangement of all the legs in this rather violent painting. I feel the artist reckoned he could do a good leg and persuaded a patron to let him get on with it.
No comments:
Post a Comment